Tag Archives: Nicolas Winding Refn



“Feminized western males in the white movement (see e.g., here) freak out when confronted with what William Pierce called “The Day of the Rope.” However, the absolute need for retribution is understood when pondering upon the history of the Iberian Peninsula: what happened once the Gothic mores were replaced by Christian ones.” END QUOTE

“here” is link to Greg Johnson “freaking out” about violent retribution, ie extermination of race traitorz, white race traitors hanging and scaring the sh!t out of the other whites. I HOPE I’m misunderstanding this; of COURSE I didn’t take the time to read Chechar’s post about Spain vs Portugual cuz I’m LAZY; AND I need to buy a new computer so I can read and write about this stuff in PRIVATE in PEACE in my BED where I have time to read and reflect on it all. [semi time machine, that part was written in early december haha]

One could say that whites have no business exterminating other whites, be they spanish v portuguese or poles vs russians or norwegians vs swedes etc. But that does make me think of times when whites HAVE been very brutal to other whites, for example ukrainians slaughtering poles?? then you could argue that “eye for an eye” is justifiable under the rules of war.

and I’m prob “freaked out” by the “day of the rope” because I know I would prob be hanging from it, with my SOFT and LENIENT and FEMINIZED stance! I guess “eye for an eye” is FAIR, but I would be too willing to give the benefit of the doubt, to keep co-ethnics from hanging for any imagined “crimes”. If you had evidence of a white directly killing other whites, that would be another story! But I couldn’t support hanging myself or Pat Buchanan simply because we don’t subscribe to the most extreme, violent, “masculinized”, retributive form of WN! Hanging for being soft on hanging!

But I should not be commenting on this anyway because I KNOW I’m misrepresenting Chechar’s argument, and Dr Pierce’s for that matter.

Also for some, the whole concept of “American Patriotism” needs to be thrown out, and I’m just NOT ready to do that yet.

THAT BEING SAID, I can understand the concepts of SYMBOLISM and SENDING A REAL MESSAGE. I’m just a Feminized Western Male SCARED of DEATH and VIOLENCE and KILLING and WAR, even JUST war. I guess this is what separates the MEN from the BOYS, in which case I’m def still a boy who might not WANT to be a man!

Reading Pat Buchanan’s 2011 “Suicide of a Superpower” and liking that, developing mancrush on Pat. Not disappointed by the first 30 pages. If that makes me a Big Softie, SO BE IT.

the trick would be to get trained as a WARRIOR when you’re YOUNG, when you’re a BOY, like in SPARTA. I def had the antithesis of that experience!

Note: WN is not MY LIFE, it’s only 40% of my Blogging/Reading Life at this moment! Other signif portions of My Life include working on my HEALTH, and “developing” my careeeeeer, etc.


Eh it was ok, kinda weird, didn’t really know what it was about beyond christians and pagans. good looking though. not bad, but no pusher hahaha. Don’t think Refn can make a BAD movie, but he does have the capacity of going pretty far “Out There.” B. Mads Mikkelsen is a Versatile Actor though. Playing the Boisterous N Bumptious Tonny in Pusher, the Silent But Deadly One-Eye in this movie, and I just realized he played the Villain in “Casino Royale.”


Once upon a time I met a (Prime Of Youth) Girl who was Mixed Race: Asian (Japanese I think, obv the Most Superior Asian Subrace!) and White (Slavic: Obv Not the most superior White Tribe, But the one that’s Closest To My Heart!). With her I might have been a Willing Race Traitor because I found her Orders Of Magnitude more attractive than Pure Asians or Chinese for example. Plus her face didn’t look SUPER Asian AND she had the delectable Curves of a Slav where the Asians have none. Of course. predictably, she was a Brahmin Kareer Kultist and ended up going to Harvard Medical Skool or something before I could bang her, hahahaha. I don’t even remember her name but I think it was something weird. I think I talked to her once and she didn’t come across immediately like a Total B1tch. Good for her! I was drinking plenty of Liquid Charisma because I wasn’t accustomed to talking to Pretty Prime Of Youth Girls, but I handled myself pretty well considering. But not good enough to bang, apparently!



Fun 30 minute Documentary On William Pierce. Only watched the first 10 minutes but I wanna remember it. It seems like it could be not Anti-Pierce! And makes his hysterical haters look like idiots.


VARG VIKERNES has been posting a lot of articles in the past month or so. IMHO these articles are more compelling than his most recent Book. I am trying to raise Varg’s profile among more than Just Burzum Fans, but among people that might be interested in his Pro-White, Anti-Zionist message. Copied Directly from http://www.burzum.org/eng/news.shtml :


Paganism: Part XIX – Comparative Mythology, my RPG & Europe,

Paganism: Part XX – Pagan Honour


War in Europe: Part VI – Regarding Adam Lanza and His Tribe


War in Europe: Part V – Breivik Unveiled

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r-selection Peoples assimiliating into a heretofore historically K-selected society. I’m naively optimistic it can be done. Like the 50-year old black man in a security guard uniform I saw standing in the freezing cold at the bus stop at 6:30 am. He’s doing HIS part. Congratulations, he has now achieved the Bare Minimum of Respectability, hahaha.

How about this: For Avg IQ, say the ranking goes like this, from highest to lowest: Asian Men, White Men, Black Men, Asian Women, White Women, Black Women. Meaning a secondary sorting based on gender, not race. Meaning Black Men are SIGNIFICANTLY smarter than White Women. Does it then follow that Black Men would be more likely to assimilate into a K-society? BUT, White Women are already K, so they wouldn’t have to SWITCH from r to K like the blacks. BUT we can see that White Women have very little trouble “switching” from Natural K to race-unnatural r when they are pushed by the r-Media and r-Marxism and r-Decadence of the New r-West. Interesting questions indeed!

But what if the Intelligence Ranking is more like: Asian Men, White Men, Asian Women, Black Men, White Women, Black Women. Now White Women and Black Men aren’t so far apart any more. One simple transposition, and then White Women are smarter than Black Men. And what if that is the case.

And aren’t some Asians more r-selected (warmer climates) and others more K (colder?) But All Asians are pretty Smart, right? So r vs K is not STRONGLY corrrelated with IQ. Especially if you consider that maybe Jews are more r than K, but they are also arguably Smarter than Whites!

And what about “Middle Easterners” or “Arabs”. Nonjew Nonwhites, hahaha. They’re pretty smart, prob close to whites, let’s say they are as much below whites as jews are above whites.

Basically I need some Rushton type guy to talk about The Other Big “Races” other than “The Big 3”, ie, Asians, Whites, and Blacks, ie, Indians, Jews, Arabs. Don’t think “Arab” is the best nomenclature, hahaha. I think you could consider Arabs and Jews both to be “SEMITIC” Peoples. Then I was reading on some conspiracy site that Whites are actually descended from Jews, and that the 12 Tribes of Israel each correspond to various Big European Tribes. INTRADASTING.

r/K might be more strongly correllated with individualistic vs collectivistic societies, than with IQ. Big Clannish Distrustful Racially-Obsessed Extended Families of r-selecteds, vs Smaller, Nicer, more Altruistic and ExtraFamilial Camraderie & trust of White K-selected societies.

Also, you’d ASSUME that Women of ANY race would be more K-selective due to their uterus, and men of ANY race more r-Selective, willing to bang anything that moves, BECAUSE the Women are so K-selective. So why are Wimminz of Any Race, but ESPECIALLY more western, white, K-selected Races, so Eager, Dumb, Short-Sighted to jump on the r-selection bandwagon of decadence and promiscuity and short-sightedness?


I got more frustrated with this one than I have with a movie in a long time. Because Refn has established himself as a Good Director in my mind, otherwise I wouldn’t even care. And the movie, up to the end, was pretty darn good, albeit not what I expected. It was actually VERY, VERY David Lynchy, as if Refn were paying Blatant Homage to Lynch, which I didn’t mind at all. More directors SHOULD! Brian ENO gives a good score. Hubert SELBY Jr co-wrote the script with Refn. Prob one of the last things Selby did before he died. Note to self, do more reading of and about Selby, seems like he would be RIGHT up my alley. (Of course “Requiem For A Dream” is in my Top Ten Movies.) John Turturro does great acting. The movie looks great. It created a nice mysterious dark Lynchlike tone. Then it craps out with a huge WTF ending. “THAT’S IT???!!!” Imagine if “Mulholland Drive” ENDED right before they went to Club Silencio; actually, right before the dykeout when they were both staring at the blue box. COME ON. So I’m HOPING there are tons of little intentional CLUES buried in the movie that MAKE it make sense. But even if there’s NOT, that was no reason for Refn to go BANKRUPT, as it was still a very well-made and provocative movie. I’m glad he bounced back though, with the much more “accessible” (and enjoyable!) Pusher 2 and 3.

Yep, that Selby looks Bleak As F00k. Enjoy! I do not read fiction unless I have a DAMN good reason to. (and in 2013 I think I’ve found that reason!)

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[Real Time Edit to comment on The Daily Outrage (tm Eradica) of the honestly Immoral, Evil, Appaling CT School Shooting, also pushing this WELL into Long-Post, SEVEN-minutes-of-your-day category:


Go Read Eradica First, I’m just ripping them off. This has become my Biggest Day Ever because I somehow got a trackback on STORMFRONT, was not expecting that. Well, I do like David Duke but I do not participate in any forums.

So the big skool shooting in CT just happened yesterday. We all know I have a Grim Fascination in Shootings like this. I don’t know if there’s actually MORE shootings nowadays, or the MEDIA is reporting on it more. Or the shootings are just BIGGER and elicit somber commentary from Your Prez. I honestly feeeeeel There Are More Shootings than even 30 years ago. MY POINT IS, behind MOST of these shootings, there’s LIKELY to be a WHITE BETA. WHITE Sperg Virgin, White Unemployable Introvert, White Angry Young Man who is NOT getting Young Tail. The key ingredients are: WHITE, Undersexed/Lesser Beta/No Game, and Socially Awkward/Sperg/Introvert/Loner. PROVE ME WRONG. AM I WRONG? YOU CAN’T PROVE IT!

But I like how this one Adam Lanza was outed by his brother as being “SOMEWHAT AUTISTIC”, the Autist Community will prob have a FIELD DAY over that one. That was last night. Seem to be playing that comment down understandably and now saying he “SUFFERED FROM A PERSONALITY DISORDER.”


Not to diminish the suffering of the families whose children were slaughtered or the terror and pain and agony and dread the children and other victims felt as they met their maker in a “pretty” godawful way. Of course, this is just The Lord saying, “You See What Happens When You Take Me Out Of Skoolz! If you let people pray in pub skools maybe I coulda saved these kidz!” Trollery, hahaha.

But I guaranteed if this Autistic Gothic Sperg Virgin Omega Introvert Creepy Unemployable Feminized Western Male* had: Pvssy on the Reg and FT Work On The Reg, he would not have done this. Guarantee, 100%. But instead he’s a total nutcase who kills his own mother and kills little kids. Good Job Moses Hessians, hahaha. Zionist Marxist International Shylox!

So I will have more to say about that later prob. *”Feminized Western Male” tm Chechar.


heh. a trackback for Eradica’s Thoughts, hahaha. This is a great example of “The Daily Outrage” exactly because it is more outrageous than the average daily outrage. I guess you need a good Monthly or Quarterly Outrages and have a nice hierachy of Useless Outrages, hahaha. They talk about ZOG Drones slaughtering 30 innocent children a day for ZOG; Terminator-caliber rocket launchers being wielded by Average Serve and Protect Police Copz! and how all it takes is one Dedicated Nut (tm Bukowski) to get past all this Rocketpower and kill a sh!tload of American Kidz. Another good comment on Beta Rage: Men Who Are Mating Market LOSERS getting revenge against Mating Market WINNERS, by killing the winners’ kids, like Knife Attacks On Children in China. Heh. This is why Eradica is my Daily Newspaper hahaha. Thanks for nicely offering me the writing gig BTW. I do have “extra posts” I could give You. But my concern is that my stuff is not As Serious and Sober in tone as Eradica. I like to have fun and joke around, and also am in many ways a Weak, Feminised Western Beta Male Unwilling to Act. Laziness.

Also I know FP is very against Dumbing Down and 140 character Twitter Soundbites, but I do really like his little “POEMS/AXIOMS” he often leaves in comments, where he reduces things down to their essence. Not sure if he is being facetious, but IMHO this was always The Power Of (Bukowskian) Poetry for me: saying the Profoundest Things in the Fewest Words Possible with very little Ambiguity (unless Ambiguity is what you’re going for in the Poem. But Ambiguity is generally F4ggy anyway, try to stay away from it.)


highly truncated/edited to consrv &emphasise wrdz; block quote on Mikko Aspa from


start ”


seeks to portray urges &interest from predatory &masculine angle. majority of his body of work revolves around themes of degradation &abuse spiced with extensive amount of decay.  aims to destroy any elements of actual person’s ego or mundane being, & transform everything into objects of pure aesthetic value. work focuses often on theme of decay. Be it moral or physical condition of object or its surroundings.  Subjects include  “unprofessional” human nudity &obscene displays of perversions, which seek to distance sexuality from simulations of pro-creation. sexuality portrayed always involves predatory or voyeuristic angle.  zero attempt to normalize deviancy or seek acceptance for bizarre desires. [This] Anti-Social aspect of pornography remains exactly the opposite [of] apologetic approach of “sex art activists”.

…His paintings &illustrations are BLUNTLY NAIVE (heheheh), seeking nothing else than to portray idea of a specific act or object obsessing the creator’s mind…

Aspa considers himself SEER OF DECAY, who accepts &celebrates role of gutter artist… illusion of a new dawn is so distant, politics often enter only as side-product, and most often as uncomfortably and coldly inhumane as the rest of the work.

” end blockqt.

I have a Huge Mancrush on Mikko Aspa, that’s all. Plus get VAST majority of searchterms for his name.

If A Girl is Nice to you rather than all b!tchy and unpleasant, that might mean, “be a charming charismatic man to me, &you’ll prob get to Bangme. You’re gonna have to go out of your way to screw this one up.” which is fine &dandy if you find the girl particularly attractive. but what if you find that you feeeeeeel that you don’t really WANT to bang her? should you make the effort ANYWAY, just so you can get some more bangs in, assuming you haven’t banged 20 Wimmin Yet? (Trying to establish the Average Number Of Wimmin The Average Man SHOULD Bang in his lifetime so as to be a healthy nonpedestalizing nonslave nonbeta, to have the power to make his own choices regarding Mate Choice. I think I said before it was APPROX 20.) I GUESS if you still need to Get To 20, then go ahead &Pay Your Dues, &you’ll prob pull Hotter Tail in the Future. (NO I’m not ROCK SOLID on 20. But I can’t IMAGINE that number POSSIBLY being lower than 10. Even 10 is way too low. 30 seems a little too decadent, EVEN ALLOWING for that Men are Allowed to be More Decadent than Wimmin. So, APPROX 20. CLoser to 20 than to 10, hahaha. So 17. This works considering the Average Nonalpha Male Bangs a lot less than the Average Wimmin does, and a lot less than She THINKS He does, as she mistakenly believes Men and Women are the Same, with Comparable Sexual Experiences! HELL, I bet Average (ie Beta) Modern Males butthurtedly LONG for being able to bang even TEN – that Dangerously Low Minimum I just mentioned above! Leads to a Society of Men Well Below Ten, Grinded Down to Marry Wimmin well Above 20!


Not bad, pretty good, more artsy than hoped, but Tom Hardy was ELECTRIFYING. “Fully Inhabits the Role.” Oscar-Worthy, not that the Oscars are worth much. Tom Hardy is in my Upper Echelon of Current Young Men and this only solidifies that. Handsome as f00k too, and he looks even better in the Bronson role with Bald Head and Flamboyant Moustachery. When feeling Beta, look to him here as Your Alpha. It was a little Clockwork Orangey which is just fine, as that is one of my All Time Favourites. Hardy was VERY impressive, showing some subtle Physical Comedy I wasn’t expecting. This was before he became “A Name” with Inception too. Daniel Day-Lewis-Level Bravura, hahaha.

Don’t want to say the artsiness killed it, but overall it was just a little too WEIRD for me. All over the place. Losing Coherence. I know Refn knows what he’s doing, and in the extras we see that indeed Refn wants to portray the Effeminacy of Being An Artist, and how this very Manly Man had a Feminine side: He was a True Artist, AND completely Bonkers. It might help to know more about The Real Bronson. There’s a nice recording of him doing “monologues” and he does have a very unique way of speaking, although it’s almost completely unintelligible. I can never understand what Well-Enunciating Americans are saying anyway, so I usually watch movies with Subtitles for the Hearing Impaired, which would have helped for this movie.

But about 80% through, I just wanted the movie the end so I watch the extras. Sometimes I Want to like Refn more than I actually do. Even still he’s better than 90% of Filmmakerz.

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LONG: 2213 Wds

Been hearing good things about this Danish auteur for quite a while, time to bite. He did the acclaimed American movie “Drive” of course, but I wanna wait on that one. Plus I like Denmark/Danes/ the language. Maybe them being so close to Germany is how they get that real guttural “r” sound that sounds more like a “w”, like in the director’s last name. “Wefn”. Plus they like putting letters like f and n together which “should not” be put next to each other. Intradasting.

Wasn’t sure what to expect out of Refn. There was a VERY GOOD documentary in the bonus of this Pusher disc called “GAMBLER”, (outstanding, arguably better than the actual movie!) which showed a review describing him as “The Danish Scorsese” which seems pretty accurate from view Pusher. It wasn’t too artsy, but it was just artsy enough. He really captured the tone well and added just enough humor. Gritty scumbag drug dealers is all it is. Nothing Fancy, but very fun, very entertaining. Not a high-minded premise, but fleshed out very nicely, very honestly. He knows exactly what he wants to do, and he succeeds in doing it. Dunno if I was expecting von Trieryness just because they’re both Danish, but Refn was way less artsy, way more…Scorseseish. Apparently Refn and LVT do not get along with each other.

The view connects readily with all of the characters, the acting is top-notch, especially from the main character Frank. Really a good job there. Not a slow or boring moment. Refn clearly has a Gift For Storytelling. One of the most memorable movies I’ve seen in months, as far as establishing an Auteur and his Style in my mind. I’d been on a serious Aki Kaurismaki kick, but I think I need something more Danish and less Finnish now, hahahaha. I tried to get into Fassbender but he hasn’t stuck in the same way Refn seems to be sticking. I need ADD entertainment, and Refn delivers this in an Intelligent Film Buff way, without being too artsy or Pointy-Headed. I’m gonna come right out and give Pusher an “A”, even though “A-” might be more appropriate over the long-term. I did front-load my queue with a bunch of Refnz. Except for “Drive,” hahaha.

And about the doc “Gambler”: It was not made BY Refn, although it seemed to be his style; it was 100% ABOUT him and gave a very intimate view of his life, that was not all phony and fake like a reality tv show. You really got to know and like and understand the subject. Refn, or “Jang” as his friends call him, not sure what that means.  But it’s a serious look at Refn’s Rise, Fall, and Rise Again, and gives an interesting look at Making Movies in Denmark. Apparently the State doesn’t give you Million$ to make big-budget filmz willy-nilly; there is a signif amount of personal risk, and this is embodied by Refn “The Gambler”, who went BANKRUPT making his Tryhard Movie “Fear X” after initial success with Pusher. Success and Failure. Plus he’s got a new baby at home. And a Wife. See the young Family dealing with Real Financial Problemz. Working with Banksterz, Attorneyz, and Accountants to get out of bankruptcy and pay back the 5 million danish kroner he owes to…I’m not sure to whom he owes it.

I was unaware of any of this, and did not know Pusher 1 was in 1996 and Pusher 2 was in 2005ish and Pusher 3 was a scant 4 MONTHS or so after p2. See, Pusher2 and 3 were part of his Plan to get out of bankruptcy. So there’s the internal conflict of, he doesn’t want to touch what made him famous just to Make Money, because he has Actual Auterish Integrity, but he HAS to make money, so he’s very concerned about making a GOOD sequel. A Main Motif/”joke” is, he’s popping alka-seltzers ALL THE TIME because he’s so stressed. I have no idea how you can Be Creative and Write a GOOD Movie when you’re under this much pressure. He’s worried, but he Pulls Through, he doesn’t fall apart, his True Believerhood in The Power Of Movies gets him through.

I’m not sure it would work this way in Hollywitz, where he wouldn’t bounce back from his initial commercial failure, and just get gobbled up by Bloodsuckerz, and become another Failed Filmmaker.

It was a decent length, at least an hour, when I was expecting a 20-30 minute “making of,” but no, this was a full-blown documentary, and a very-surprisingly good one at that. Made me even more interested in / sympathetic to Refn. Do NOT skip it.

He has Cannibal Holocaust and Texas Chainsaw Massacre posters in his Nice Danish Apartment, but he is not so much of a Myopic Horror Nut where Horror is his Main Thing. Indeed, Scorsese and Cassavetes seem to be even bigger influences. Capturing Really Real Reality, but not in a Reality TV way, or not in an Artsy way, or not in a Documentary way, but in his own way, and convincing the audience that This Is Reality. I have been Convinced Refn is the Real Deal, and worthy of the hype.

I hope his wife does not Take Him To The Cleaners now that he’s successful again and making money. But According to Wiki they have had a second child. I really liked the Home Life aspect of “Gambler”, that he was a “normal” guy with a wife and child (the child is much more important than the wife, OBVIOUSLY!) and not some virgin neckbeard human lampshade sociopath. Not that it takes anything above AVERAGE Social Skillz to Pull’N’Pound Pvssy, but some Film Types have Way-Below-Average Social Skills and couldn’t Pull Pvssy if their LIVES depended on it, and make up the Lowest Divisions of the Omega Hierarchy, like Comic Book Nerds and Computer Game Nerds and Otaku Nerdz. Not that I have anything particularly good to say about Refn’s WIFE, other than she hasn’t scammed’n’left him yet. But he is Really Cool right now. So Hot. But maybe he has a private reason to Trust Her, and for his sake, I hope he’s right about that. I certainly have no reason to trust her!


I liked it. Good sequel. Didn’t live in the shadow of the first. A-, maybe even A for consistency, in which case, #3 def gets an A, because that one is no worse than 2 or 1. This is not how Hollywitz makes sequels. Refn is exactly what Hollywitz needs. A guy with integrity, a True Believer in the Power of Film, who Goes His Own Way and makes Good, Solid Movies. Even when he’s trying to “milk a cash cow”, in this case, making more Pusher movies because he was desperate and bankrupt, he ended up making two great movies and rising like a phoenix such that right now he’s at the peak of his career.

P2 follows Tonny from Pusher 1. Didn’t know how this was gonna play out. IMHO it worked great. Each Pusher film follows one of the “side” characters from Pusher 1 rather than trying to make a “full-blown sequel” of events tacked onto P1. ALTHOUGH Frank from p1 was great and could have carried another Pusher film, although there’s talk of a Pusher 4, and given the trajectory, I wouldn’t mind it one bit!

If LVT and Kubrick are “Story” guys, then Refn is DEF a “CHARACTER” guy (although LVT has been a Character guy at some points, ie Dancer, Breaking, Dogville, ok a lot of the time haha.) ALL THREE of the main chars in p1 are very strong, thus when Tonny and Milo break off into their own movies, we get two more strong movies.


But I think I may have liked P3 a LITTLE better than P2 because: it was a bit darker, especially over the second half; AND I identify more with Slavs, even Southern/Balkan Slavs, than with Danes, even Trashy Gangster Danes. Just slightly. Reading KMac’s Preface to Culture of Critique avail on Cesar’s Appendix to Downfall of Western World where KMac argues that White Europeans have more individualism and less ingroup/outgroup distinction than more collectivist asian and middle eastern (You Know Who!) races. Meaning Whites are more race-blind, more accomodating, nicer, more trusting, etc. And Refn’s Denmark is a VERY “Multicultural” one. Another thing I liked. The subtext is that Immigrants Bring Crime and Drugs and Divide and Conquer Danes, and the Trashier Danes get involved with the Criminal Underworld, which is what Refn portrays exclusively in the Pusher Trilogy. Kinda “funny” to see White Vikings acting like Jersey Shore Douchebags, violent, stupid, sweatpants and stupid tattoos, years in prison, drug abuse, in P2 there is Welfare Mamas and Babies suckling off the teat of the generous Scandinavian Welfare State, and we ultimately see a society that doesn’t seem “Scandinavian” at all. Lots of Mixing with Balkans, Turks, Arabs, Albanians even! Albanians! This was in P3 and I quite liked that, because I’m obsessed with Albanians.

The guy who plays Milo, Zlatko Buric, is I THINK orig from Croatia; but his character Milo might have been intended to be Serbian or Macedonian. Not sure how different the Serbian and Croatian languages are, I thought they were pretty close. Pusher 3 has really very little spoken Danish in it, except, Ironically, when the Criminal Immigrants are trying often unsuccessfully to communicate with one another. The Serb Milo presumably speaks the best Danish (hard for me to tell, hahaha, in fact, I imagine The Average American Idiot wouldn’t even be able to TELL they’re constantly switching languages, haha), the “Pretty Boy” Albanian doesn’t, has to have the somewhat less pretty albanian translate; Milo speaks Serb or Croatian with his huge family and they are always kissing each other 3  times on the cheek; There’s even a POLISH guy in there trying to sell a young Polish woman to a maybe-Danish female pimp, all brought together by the Albanian scumbags.

Milo gets sucked into serving the Albanian Scumbags out of sense of honor to protecting his family, but ironically has to miss an important family event to be the Albanians’ B!tch, serving them in Milo’s own Serbian Crime Club. (Maybe he is Croatian because I thought Serbs and Albanians hated each other so much re the Kosovo thing, you can’t even have an Albanian and a Serb in the same room together without trying to kill each other.)

Milo has a musical, deep, booming voice which is a pleasure to listen to; and where he was more “villainous” in P1 in that he was the Ethnic Scumbag lording over the Danish Ne’er-Do-Well, at times being the Supernice Friend, but he had a Dark Side and was more than willing to electrocute Frank’s Nipples with Milo’s Co-Ethnic Brute Radovan – who also reappears in P3 in a great side role. Anyway, in P3, Milo is now the Good Guy who’s just trying to do the Right thing (despite being a huge heroin dealer), but he keeps getting screwed. He is 17 years older and looks it, a middle-aged Single Father trying to provide for his Daughter, who is a Huge Spoiled B!tch by the way. He’s still that Friendly Warm guy capable of godawful torture and violence, only now he’s older and more worried, very worried, and you see more of his own drug-using habit. Really fleshed out the Milo Character in a great way.

Indeed, it’s Milo’s sense of Honor (MRA’s might call it Foolish Chivalry and White-Knighting, even) that pushes him over the point of no return, and then the movie takes on its ultra-dark tone.

And Refn looks like a typical Lily-White Scandinavian, but has a nice Boyish Charm that makes him look younger than he is. Watch the extras. Yet he is not afraid to paint a picture of Multiculturalism that is not all Roses. Although I doubt he is even a Race Realist, hahaha. He’s just a “Naturalistic” filmmaker, hahaha. And he’s made a series of 3 films here that Are What Sequels Should Be, no going through the motions, every one fresh, good, unique, memorable, yet enough common ground to tie them in together: the characters, the stylized opening sequences with that catchy fun song and the shadowy faces, the Crime Underworld in Copenhagen, the Multicultis, etc.

I prob shoulda talked more about P2, but I just watched P3 last night hahaha. But P2 was nothing to sneeze at, no chopped liver, it was a fun and good movie too. But Zlatko’s performance in P3 really bowled me over. Refn has a Gift for making Great, Complex Characters, and finding the perfect actors to play them.

Watch any one of the Pushers, it’s better than what your Wimminz will pick for Movie Night. Use “Drive” if you have to with that pvssy f4gg0t b!tch Ryan Gosling who All Wimminz want to TIUTA from, and say it’s from the guy who made “Drive” before he sold out, hahaha.

I look forward to watching “Fear X” (at home right now!) and “Valhalla Rising.” And that other one about the british criminal with tom hardy (“Bronson”) ? Refn keeps busy!

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